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狹義動作圖式源于舞蹈者對廣義動作圖式的分化

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  當然,狹義的動作圖式有時是難以理解的,如果舞蹈者表現太主觀、太晦澀,這些動作就很難“翻譯”成廣義動作圖式為觀眾所理解。因此,狹義動作圖式源于舞蹈者創作思維對廣義動作圖式的分化,它是舞蹈創作思維的一個獨特層面。顯然,從狹義圖式向廣義圖式的過渡并不是簡單地將一種動作翻譯成另一種動作,它不可能簡單地通過一一對應的關系來完成,它是一個復雜的、動態的、充滿著創造性的思維過程。

BENWENLAIZITOUGAO,BUDAIBIAOBENRENLICHANG,RURUOZHUANZAI,QINGZHUMINGCHUCHU:http://txcrindex.com/wddq/d6b94de52dfc08552ac7fcd7.html